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how has suspicion of any clear statement of goals, reference to any absolute principles and denial of any metaphysical basis for existence or thought become the dominant paradigm?
This post continues the exploration of the philosophical currents that shape current art practices. A previous post, More on Painting, touched on the issue of identity, discussed in terms of “self-differing”, or the self as […]
Richard Powers book, Three Farmers on their Way to a Dance includes an interesting section about progress and technology. Powers suggests that, as culture and its tools changed more in 30 years than in the […]