Bird Watching: A Love Affair
For many years i have been an amateur, yet ardent, birdwatcher and this blog, Bird Watching: A Love Affair, describes how & why birds have formed an important theme in my artwork. Yesterday I spent the day at the French Creek Estuary, on Vancouver Island, counting birds on the eBird app. In 2 1/2 hours we counted 18 different species of birds. In or near the water there were scores of Mallards, a few Common Mergansers, some Buffleheads, a Kingfisher and more Seagulls than we could count. Fortunately the estuary’s riparian zone is protected as a nature preserve.
In the adjacent upland area of the French Creek Estuary we counted more Juncos and more Spotted Towhees than I’ve ever seen in one place, a couple of Hummingbirds, some Quail, many Sparrows, and a few birds that are rare at this time of year such as a Townsend’s Warbler. There were at least 14 majestic Great Blue Herons nesting in the trees and flying overhead to fish. On a cold day in March the trees and bushes were simply alive with birds and it was entrancing.
The joy of seeing these exquisite creatures up close in my binoculars is my reason for bird watching. These elegantly feathered animals so entirely at one with their surroundings, are a strong contrast to us humans in our environment. We constantly ward off our surroundings with walls, heating/air conditioning, machines, clothing and devices. But birds belong to a different, more attuned, more perfect way of life than us domesticated human beings. Is this innately what it is to be human or were we at one time more like birds and other wild beings? Their beauty, super-awareness and finely-focused attention on the present moment, every moment, is like a lesson in how to be in the world.
In Margaret Atwood’s forward to The Bedside Book of Birds: An Avian Miscellany, by her late husband Graeme Gibson, she describes what bird watching meant to him. ”…every new Bird was a revelation to him. He wasn’t much interested in making lists of the birds he had seen, though he did make such lists as an aid to memory. Instead it was the experience of the particular, singular bird that enthralled him: this one, just here, just now. A red tailed hawk! Look at that! Nothing could be more magnificent!“
But yesterday it was difficult to be enthralled in the present moment knowing that an area of marvellous bird habitat, adjacent to the protected area of French Creek, will be bulldozed for more human habitat. Sadly this is not a protected area but private land slated for development of 14 homes. This is the dilemma of bird-watching: the more you watch them the more you treasure birds, and the more pain you feel as their habitat is destroyed, lot by lot, forest by forest, ecosystem by ecosystem.
In several earlier blogs I have explored birds in both sculptures and paintings such as the painting below. Then Again was part of a series called Time Lines, that used schematic images inspired by European Neolithic art from 7000 – 3500 BC. The series examined the linear concept of time or the understanding that we are constantly moving forward into the future and out of the past. It explored the possibility that time is a more circular phenomenon that is relative or even illusory. The simplification of images in Neolithic culture produced an abstract, symbolic, conceptual art that subverts the idea that art is progressing, and that whatever is created today is superior to what went before.
Time LInes also continued the exploration of the relationship between humans and other species using figures with both animal and human characteristics in 2D and 3D. This investigation was ongoing for many years and always seems relevant. Creation is the largest and final piece in this series. The melded figures contrast with the belief, common in Western and modern cultures, that humans are separate from and independent of nature. The series referenced ancient animal/human mythological images suggesting that the split between mind and body, human and natural, is a fairly recent paradigm that replaced the previous understanding of a more interactive relationship with other species.
Some of the paintings, like Flight, shown below, were painted as though sculptural. Flight, features a melded human/bird figure, and visualizes a sculpture that I could make in steel at some time in the future. It was inspired by the elegantly constructed armour in European museums, and how wonderful it would be to use the same techniques to build a sculpture on the animal/human fusion theme.
This series included some sculptures such as the one in wood shown here
These works are in praise of birds – these gorgeous, jaunty, mysterious beings. May they persevere, survive the Anthropocene era and continue for eons to come as they have done for the past 150 million years.
