The drawing of Savary Island Beach, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Savary Island Beach, B&W gives a sense of the ruggedly serene beaches on the West Coast. I am producing prints such as Savary Island Beach, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Savary Island Beach, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Savary Island Beach, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Mountains and Bay, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Mountains and Bay, B&W gives a sense of the ruggedly beautiful coastlines of the West Coast. I am producing prints such as Mountains and Bay, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Mountains and Bay, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Mountains and Bay, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of The Ferry, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Ferry, B&W gives a sense of the island landscapes of the West Coast. I am producing prints such as The Ferry, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

The Ferry, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship.

The post The Ferry, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Small Island, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Small Island, B&W gives a sense of the ruggedly serene beaches on the West Coast. I am producing prints such as Small Island, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Small Island, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship.

The post Small Island, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of The Two Ponies, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Two Ponies, B&W gives a sense of the quiet beauty of island life.  I am producing prints such as The Two Ponies, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

The Two Ponies, B&W is shipped with an artist-made, sturdy wood frame, either painted or stained, and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post The Two Ponies, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Lily Pads, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Lily Pads, B&W gives a sense of the quiet beauty of island life. I am producing prints such as Lily Pads, B&W, using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Lily Pads, B&W, is shipped with an artist-made, sturdy wood frame, either painted or stained, and is ready to hang. These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Lily Pads, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Bird and Leaves, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Bird and Leaves, B&W is an homage to the abundant life all around us. I am producing prints such as Bird and Leaves, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Bird and Leaves, B&W is shipped with an artist-made, sturdy wood frame, either painted or stained, and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Bird and Leaves, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Storm Clouds, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Storm Clouds, B&W gives a sense of the rugged beauty of the West Coast. I am producing prints such as Storm Clouds, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Storm Clouds, B&W is shipped with an artist-made, sturdy wood frame, either painted or stained, and is ready to hang. These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Storm Clouds, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of The Rowboat, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Rowboat, B&W gives a sense of the ruggedly serene beaches on the West Coast. I am producing prints such as The Rowboat, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

The Rowboat, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post The Rowboat, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Pine Tree, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

Since moving  to a semi-rural area on Vancouver Island, British Columbia, where deer graze serenely in my front yard, I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition. Pine Tree, B&W gives a sense of the ruggedly serene beaches on the West Coast. I am producing prints such as Pine Tree, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Pine Tree, B&W is shipped with an artist-made, sturdy, stained black wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Pine Tree, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Clouds Over Bay, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.For many years I worked as an illustrator for editorial, advertising and book publishing using the style of drawing in Clouds Over Bay, B&W. I sometimes carved my drawings into linoleum to make lino-cut prints, but due to the short time-lines in publishing, I usually used scratchboard to create cross-hatched black & white drawings that translated well into print media.

Since moving  to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard, I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition. Clouds Over Bay, B&W is an example of this work that gives a sense of the timeless beauty of the West Coast. I am producing prints such as Clouds Over Bay, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog. Clouds Over Bay, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship.

The post Clouds Over Bay, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing style of The Seasons was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

For many years in the 1980’s and 1990’s I worked as an illustrator for editorial, advertising and book publishing using this style of drawing. I sometimes carved my drawings into linoleum to make lino-cut prints, but due to the short time-lines in publishing, I usually used scratchboard to create cross-hatched black & white drawings that translated well into print media. Since moving  to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard, I have responded to Island Time by creating more detailed, labour-intensive work like The Seasons that might take all afternoon for an almost unnoticeable addition. 

The Seasons is framed without glass or matting so it is easy and inexpensive to ship. Each one of these prints is unique and I like their hand-made but sophisticated look. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

The Seasons is shipped with an artist-made, sturdy, stained black wood frame and is ready to hang.

The post The Seasons first appeared on Marion-Lea Jamieson, Artist.

The drawing of Pond with Bridge, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard.  I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition and Pond with Bridge, B&W is an example.  Pond with Bridge, B&W is framed without glass or matting so it more inexpensive to ship than a paper print under glass. Each print in this series is unique and I really like their hand-made but sophisticated look. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Pond with Bridge, B&W is shipped with an artist-made, sturdy wood frame that can be painted or stained to order, and is ready to hang.  Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Pond with Bridge, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of The Maple Tree, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard. The Maple Tree, B&W is an example of how I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition. The Maple Tree, B&W is framed without glass or matting so it more inexpensive to ship than a paper print under glass. Each print in this series is unique and I really like their hand-made but sophisticated look. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

The Maple Tree, B&W is shipped with an artist-made, painted white wood frame and is ready to hang.

The post The Maple Tree, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Rathtrevor Beach, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard. Rathtrevor Beach, B&W is an example of how I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition. Rathtrevor Beach, B&W is framed without glass or matting so it more inexpensive to ship than a paper print under glass. Each print in this series is unique and I really like their hand-made but sophisticated look. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Rathtrevor Beach, B&W is shipped with an artist-made, painted white wood frame and is ready to hang. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Rathtrevor Beach, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Reeds in Late Summer, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I now live in a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard. Reeds in Late Summer, B&W is an example of how I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition. Reeds in Late Summer, B&W is framed without glass or matting so it more inexpensive to ship than a paper print under glass. Each print in this series is unique and I really like their hand-made but sophisticated look. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Reeds in Late Summer, B&W is shipped with an artist-made, painted white wood frame and is ready to hang.

Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Reeds in Late Summer, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Arbutus Tree, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard. Arbutus Tree, B&W is an example of how I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition. Arbutus Tree, B&W is framed without glass or matting so it more inexpensive to ship than a paper print under glass. Each print in this series is unique and I really like their hand-made but sophisticated look. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Arbutus Tree, B&W is shipped with an artist-made, painted white wood frame and is ready to hang.

The post Arbutus Tree, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Rocky Shore, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard. Rocky Shore, B&W is an example of how I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition. Rocky Shore, B&W is framed without glass or matting so it more inexpensive to ship than a paper print under glass. Each print in this series is unique and I really like their hand-made but sophisticated look. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Rocky Shore, B&W is shipped with an artist-made, painted white wood frame and is ready to hang.

The post Rocky Shore, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Alberni Inlet, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard. Alberni Inlet, B&W is an example of how I have responded to Island Time by creating more detailed, labour-intensive work that might take all afternoon for an almost unnoticeable addition. Alberni Inlet, B&W is framed without glass or matting so it more inexpensive to ship than a paper print under glass. Each print in this series is unique and I really like their hand-made but sophisticated look. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Alberni Inlet, B&W is shipped with an artist-made, painted white wood frame and is ready to hang. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Alberni Inlet, B&W first appeared on Marion-Lea Jamieson, Artist.