The post Lost in Time #1 first appeared on Marion-Lea Jamieson, Artist.

The drawing style of The Two Ponies, Vignette was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Two Ponies, Vingnette gives a sense of the serene beauty that surrounds us. I am producing prints such as The Two Ponies, Vignette using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this and other prints in the series, please visit my January 2024 blog.

The Two Ponies, Vignette is shipped with an artist-made, sturdy, stained wood frame and is ready to hang. These prints do not require matting and glass so are economical to ship.

The post The Two Ponies, Vignette first appeared on Marion-Lea Jamieson, Artist.

The drawing style used in Two Ravens was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Two Ravens gives a sense of the abundant life all around us. Two Ravens is framed without glass or matting. so it is easy and inexpensive to ship. Each one is unique and I really like the hand-made but sophisticated results. For more on the inspiration behind this and other prints in the series, please visit my January 2024 blog.

Two Ravens is shipped with an artist-made, sturdy, wood frame either stained or painted as requested and is ready to hang. Please allow an extra three weeks for delivery of out-of-stock items.

The post Two Ravens first appeared on Marion-Lea Jamieson, Artist.

The drawing in Resting Deer, Blue, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard. I hope Resting Deer, Blue gives a sense of the wild beauty that still lives alongside us. I am producing prints such as Resting Deer, Blue using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the hand-made but sophisticated look of the results. For more on the inspiration behind Resting Deer, Blue, please visit my January 2024 blog.

Resting Deer, Blue is shipped with an artist-made, sturdy, stained wood frame and is ready to hang.

The post Resting Deer, Blue first appeared on Marion-Lea Jamieson, Artist.

These works are also experiments with abstraction, using techniques that draw attention to the process and materials used in creating them and are not part of the realist tradition. I seek to negotiate a middle path between aesthetic appeal and sterile abstraction; between the grip of the past and newness for its own sake. I also want to communicate the joy of colours, lines and forms depicted in oil paint – to communicate at a visceral rather than an intellectual level. For a further discussion about the role of painting and how my work fits in, please visit this Februry 2017 blog post.

This painting does not need a frame & is ready to hang.

The post To & Fro first appeared on Marion-Lea Jamieson, Artist.

These works are also experiments with abstraction, using techniques that draw attention to the process and materials used in creating them and are not part of the realist tradition. I seek to negotiate a middle path between aesthetic appeal and sterile abstraction; between the grip of the past and newness for its own sake. I also want to communicate the joy of colours, lines and forms depicted in oil paint – to communicate at a visceral rather than an intellectual level. For a further discussion about the role of painting and how my work fits in, please visit this May 2022 blog post.

This painting does not need a frame & is ready to hang.

The post Quadrille first appeared on Marion-Lea Jamieson, Artist.

The drawing of Savary Island Beach, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Savary Island Beach, B&W gives a sense of the ruggedly serene beaches on the West Coast. I am producing prints such as Savary Island Beach, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Savary Island Beach, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Savary Island Beach, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing style for The Ferry was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I am producing prints such as The Ferry using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this series of prints and The Ferry please visit my January 2024 blog.

The Ferry is shipped with an artist-made, sturdy, white wood frame and is ready to hang.

The post The Ferry first appeared on Marion-Lea Jamieson, Artist.

The original drawing for Swamp Grasses was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the earlier and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, and Swamp Grasses gives a sense of the wild beauty that still lives alongside us. I am producing prints such as Swamp Grasses using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind Swamp Grasses please visit my January 2024 blog.

Swamp Grasses is shipped with an artist-made, sturdy, stained wood frame and is ready to hang.

The post Swamp Grasses first appeared on Marion-Lea Jamieson, Artist.

The drawing style of Sunlight on Water, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I am producing prints such as Sunlight on Water using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind ,Sunlight on Water,  please visit my January 2024 blog.

Sunlight on Water is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.

The post Sunlight on Water first appeared on Marion-Lea Jamieson, Artist.

The drawing in Reeds in Late Summer, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Reeds in Late Summer  gives a sense of the wild beauty that lives alongside us. I am producing prints such as Reeds in Late Summer using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind Reeds in Late Summer, please visit my January 2024 blog.

Reeds in Late Summer  is shipped with an artist-made, sturdy, stained wood frame and is ready to hang.

The post Reeds in Late Summer first appeared on Marion-Lea Jamieson, Artist.

The drawing style of Bird With Leaves was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Green Bird With Leaves gives a sense of all the wild creatures that live alongside us. I am producing prints such as Bird With Leaves using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this series and Bird With Leaves, please visit my January 2024 blog.

Bird With Leaves is shipped with an artist-made, sturdy, stained black wood frame and is ready to hang.

The post Bird with Leaves first appeared on Marion-Lea Jamieson, Artist.

The original drawing for Alberni Inlet, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Alberni Inlet gives a sense of the wild beauty that surrounds us. I am producing prints such as Alberni Inlet using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind Alberni Inlet, please visit my January 2024 blog.

Alberni Inlet is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.

The post Alberni Inlet first appeared on Marion-Lea Jamieson, Artist.

Some of the works in this series, such as this one, were a visual exploration of images of women in pre-history. For more about this aspect of the series, please visit my May 2020 blog.

The works in this series are experiments with form; using techniques that draw attention to the process and materials used in creating them and are not part of the realist tradition. I seek to negotiate a middle path between aesthetic appeal and sterile abstraction; between the grip of the past and newness for its own sake. So while my current work has a conceptual motivation, I also want to communicate the joy of colours, lines and forms depicted in oil paint – to communicate at a visceral rather than an intellectual level.

No frame is needed for this painting & it is ready to hang.

The post Now and Then first appeared on Marion-Lea Jamieson, Artist.

These works are also experiments using techniques that draw attention to the process and materials used in creating them and are not part of the realist tradition. In this series, I aimed to negotiate a middle path between aesthetic appeal and sterile abstraction; between the grip of the past and newness for its own sake. I also wanted to communicate the joy of colours, lines and forms depicted in oil paint – to communicate at a visceral rather than an intellectual level. For a further discussion about the role of painting and my how my work fits in,  please visit this January 2019 blog post.

This painting does not need a frame & is ready to hang.

The post Square Dance first appeared on Marion-Lea Jamieson, Artist.

For an exploration of the Neolithic vs contemporary ideas of time, progress &  the meaning of art that influenced this series, you can click on the link to my April 2020 blog.

The works in this series are experiments with form; using techniques that draw attention to the process and materials used in creating them and are not part of the realist tradition. I seek to negotiate a middle path between aesthetic appeal and sterile abstraction; between the grip of the past and newness for its own sake. So while my current work has a conceptual motivation, I also want to communicate the joy of colours, lines and forms depicted in oil paint – to communicate at a visceral rather than an intellectual level.

No frame is needed for this painting & it is ready to hang.

The post What It Is first appeared on Marion-Lea Jamieson, Artist.

The drawing of Mountains and Bay, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Mountains and Bay, B&W gives a sense of the ruggedly beautiful coastlines of the West Coast. I am producing prints such as Mountains and Bay, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Mountains and Bay, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Mountains and Bay, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of The Ferry, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Ferry, B&W gives a sense of the island landscapes of the West Coast. I am producing prints such as The Ferry, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

The Ferry, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship.

The post The Ferry, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Small Island, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Small Island, B&W gives a sense of the ruggedly serene beaches on the West Coast. I am producing prints such as Small Island, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Small Island, B&W is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.These prints do not require matting and glass so are economical to ship.

The post Small Island, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of The Two Ponies, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Two Ponies, B&W gives a sense of the quiet beauty of island life.  I am producing prints such as The Two Ponies, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

The Two Ponies, B&W is shipped with an artist-made, sturdy wood frame, either painted or stained, and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post The Two Ponies, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Lily Pads, B&W, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Lily Pads, B&W gives a sense of the quiet beauty of island life. I am producing prints such as Lily Pads, B&W, using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Lily Pads, B&W, is shipped with an artist-made, sturdy wood frame, either painted or stained, and is ready to hang. These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Lily Pads, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Bird and Leaves, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Bird and Leaves, B&W is an homage to the abundant life all around us. I am producing prints such as Bird and Leaves, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Bird and Leaves, B&W is shipped with an artist-made, sturdy wood frame, either painted or stained, and is ready to hang.These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Bird and Leaves, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing of Storm Clouds, B&W was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Storm Clouds, B&W gives a sense of the rugged beauty of the West Coast. I am producing prints such as Storm Clouds, B&W using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & others in the series, please visit my January 2024 blog.

Storm Clouds, B&W is shipped with an artist-made, sturdy wood frame, either painted or stained, and is ready to hang. These prints do not require matting and glass so are economical to ship. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Storm Clouds, B&W first appeared on Marion-Lea Jamieson, Artist.

The drawing style of Small Island was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Small Island  gives a sense of the wild beauty that surrounds us on the West Coast. I am producing prints such as Small Island using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this series please visit my January 2024 blog.

Small Island is shipped with an artist-made, sturdy, stained wood frame and is ready to hang. Please allow an extra 3 weeks for delivery of prints that are out of stock.

The post Small Island first appeared on Marion-Lea Jamieson, Artist.

The drawing style of Storm Clouds, Blue, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Storm clouds, Blue gives a sense of the wild beauty that surrounds us on the West Coast. I am producing prints such as Storm Clouds, Blue using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this series, please visit my January 2024 blog.

Storm Clouds, Blue is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.

The post Storm Clouds, Blue first appeared on Marion-Lea Jamieson, Artist.

The drawing style of Storm Clouds, Mauve was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, BC, where deer graze in my front yard and Storm Clouds, Mauve gives a sense of the wild beauty that surrounds us here. I am producing prints such as Storm Clouds, Mauve using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this series, please visit my January 2024 blog.

Storm Clouds, Mauve is shipped with an artist-made, sturdy, stained wood frame and is ready to hang.

The post Storm Clouds, Mauve first appeared on Marion-Lea Jamieson, Artist.

The drawing style of The Golden Bird, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Golden Bird gives a sense of the wild beauty that lives alongside us. I am producing prints such as The Golden Bird using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this print & this series, please visit my January 2024 blog.

The Golden Bird,  is shipped with an artist-made, sturdy, stained black wood frame and is ready to hang.

The post The Golden Bird first appeared on Marion-Lea Jamieson, Artist.

The drawing style of The Rowboat, Blue was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Rowboat, Blue gives a sense of the relaxed beauty of a seaside village. I am producing prints such as The Rowboat, Blue using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind Reeds in Late Summer, please visit my January 2024 blog.

The Rowboat, Blue is shipped with an artist-made, sturdy, painted white wood frame and is ready to hang.

The post The Rowboat, Blue first appeared on Marion-Lea Jamieson, Artist.

The drawing style of Clouds Over Bay, Blue, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and Clouds Over Bay, Blue gives a sense of the wild beauty of the West Coast of BC. I am producing prints such as Clouds Over Bay, Blue using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind this series of prints, please visit my January 2024 blog.

The post Clouds Over Bay, Blue first appeared on Marion-Lea Jamieson, Artist.

The drawing style of  The Maple Tree, was influenced by techniques used in a time before mass produced printing, when artists carved images on wood, rolled ink on top and pressed the image onto paper. They became astonishingly skilled at depicting the world using cross-hatched lines to convey light, shade, form and texture. Later printmakers used this technique to create line drawings of incredible detail etched into metal plates. Many artists keep this time-honoured and highly-skilled tradition alive and I have studied both the early and more modern practitioners to develop my own style.

I have moved to a semi-rural area on Vancouver Island, British Columbia, where deer graze in my front yard and The Maple Tree gives a sense of the serene beauty that surrounds us here. I am producing prints such as The Maple Tree using durable outdoor printing inks on wood as they can be framed without glass or matting. So they create unique but affordable artworks that are easy and inexpensive to ship. Each one is unique and I really like the somewhat folksy but sophisticated results. For more on the inspiration behind Reeds in Late Summer, please visit my January 2024 blog.

The Maple Tree is shipped with an artist-made, sturdy, stained wood frame and is ready to hang.

The post The Maple Tree first appeared on Marion-Lea Jamieson, Artist.